Enigmatica — The Blue House

The Blue House is Enigmatica’s 2nd CD, and it nails down the group’s unique spot in the world of mandolin music. From the orchestral richness of Argentinian dances in “Cinco Piezas,” to the simple intimacy of “Anniversary,” the octet shifts gears with ease to create a recording with delightful variety and impeccable musicianship. The CD weaves a colorful tapestry of form and texture arriving finally at the title track, a rock-tinged blast of energy that was written for them and takes the group beyond expectations. No one sounds like Enigmatica; the group has thoughtfully created an artistic definition for mandolin octet.

Listen to the track “      Chacarera ” posted on Mandolin Cafe

Buy Now

$15.00 The Blue House by Enigmatica (CD)

Songs List

1.  Acerta O Passo (Take the Right Step) – Pixinguinha (1897-1973) 3:37
2.  Anniversary  (2005) – Adam Larrabee (contemporary) 3:24 written for Enigmatica
3. Fandango  (1982) – Ann Carr Boyd (contemporary) 5:13
4. Perigoso (Dangerous) – Ernesto Nazareth (1863-1934) 3:49
Three Fantasias  (2002) Will Ayton (contemporary)
5. Fantasia   2:59
6. Fantasia on: ”If My Complaints” (Dowland) 2:25
7. Echoes from “The Irishe Ho-Hoane” (anon) 3:34
8. No Me Toques (Don’t Touch Me) – Ignacio Cervantes (1847-1905) 2:18
Cinco Piezas – Luis Gianneo (1897-1968)
9. Vidala    2:53
10. Cancion Incaica (Inca Song) 1:19
11. Chacarera   2:31
12. Cancion de Cuna  (Cradle Song) 1:43
13. Zapateado   1:46
14. Arioso from Concerto in D for Strings – Igor Stravinsky (1882-1971) 2:26
15. The Blue House  (2004) John Goodin (contemporary) 4:21 written for Enigmatica

“The sound of Enigmatica can be described as sparkling, effervescent, fluid, precise, and joyous. The clarity of line they achieve is breathtaking, completely the equal of any string quartet or chamber ensemble playing today.”
— Mandolin Magazine.

Posted July 1st, 2009. Bookmark the permalink. Both comments and trackbacks are currently closed.
  • “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.”

    – Zupfmusik Magazin (Germany)

    “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.”
    – Vaughn Watson, The Providence Journal (USA)

    “She’s a fabulous player with a wonderfully clear and lyrical sound.”

    – The Ottawa Citizen (Canada)

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    – Mike Caito, Providence Phoenix (USA)

    “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.”

    – Brian Hodel, Guitar Review (USA)

    “A brilliant concert from beginning to end…The performance was extraordinary.”
    – La Rioja (Spain)

    “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.”

    – – Butch Baldassari, Mandolin Magazine (USA)

    Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.

    – Carlos Agudelo, Billboard Magazine

    Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.

    – David McCarty, Mandolin Magazine (USA)

    “A sparkling concert… absolutely brilliant!”

    – Guitar Magazine (England)

    “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…”

    – Jim Macnie, The Providence Phoenix (USA)

    “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.”

    – Chris Kilvington, Classical Guitar (England)

    “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.”

    – Rick Massimo, The Providence Journal

    “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…”

    – Lincoln Center Out-Of-Doors (USA)

    “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.”

    — Terence Pender, Mandolin Quarterly (USA)

    “Marilynn Mair é uma bandolinista americana de formação erudita”

    — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.”

    – David McCarty, Mandolin Magazine (USA)