Água no Feijão — Roda no Rio

By Marilynn | Published: October 22, 2008

The debut CD by Marilynn’s Brazilian choro band, Água no Feijão, includes traditional Brazilian choro and new compositions by Mauricio Carrilho and Marilynn herself. Recorded in Rio de Janeiro, the disc is a party waiting to happen! Marilynn plays Brazilian bandolim, and the band includes tenor and soprano sax, flute, clarinet, cavaquinho, pandeiro, and guitars– 6-string, 7-string, and electric. It’s a new spin on a Rio tradition.

Buy Now
$15.00 Agua no Feijao - Roda no Rio (CD)

Songs List

Listen to audio samples here: myspace.com/aguanofeijao

  1. O Bom Filho a Casa Torna – Bonfiglio de Oliveira [The good son comes home] 4:15
  2. Receita de Samba – Jacob do Bandolim [Recipe for a Samba] 3:43
  3. Varandinha Carioca No. 2 – Mauricio Carrilho [Little Porch in Rio] 3:19
  4. Catita – K-Ximbinho [Cool] 3:24
  5. Desprezado – Pixinguinha [Spurned] 4:19
  6. Benzinho – Jacob do Bandolim [Sweetie] 3:51
  7. Pitoresco – Guio de Morais [Picturesque] 4:19
  8. Flor do Mal – Santos Coelho [Flower of Evil] – 6:01
  9. Por Que Não?- Marilynn Mair [Why Not?] 3:03
    Ao meu regional gua No Feijo [for my band]
  10. Cochichando – Pixinguinha [Whispering] 4:12
  11. Estamos Aí – Mauricio Einhorn [Here We Are] 6:18
  12. bonus track: Manga Rosa – Jonas Pereira da Silva [Pink Mango] 3:59
Posted October 22nd, 2008. Bookmark the permalink. Both comments and trackbacks are currently closed.

  • “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.”

    — Terence Pender, Mandolin Quarterly (USA)

    “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.”

    – Brian Hodel, Guitar Review (USA)

    Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.

    – David McCarty, Mandolin Magazine (USA)

    “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.”

    – David McCarty, Mandolin Magazine (USA)

    “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.”

    – Zupfmusik Magazin (Germany)

    “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.”

    – – Butch Baldassari, Mandolin Magazine (USA)

    “Marilynn Mair é uma bandolinista americana de formação erudita”

    — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.”
    – Vaughn Watson, The Providence Journal (USA)

    “Mair is unstoppable… capable of evoking any landscape, past or present, you’d care to conjure.”

    – Mike Caito, Providence Phoenix (USA)

    “A brilliant concert from beginning to end…The performance was extraordinary.”
    – La Rioja (Spain)

    “She’s a fabulous player with a wonderfully clear and lyrical sound.”

    – The Ottawa Citizen (Canada)

    “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…”

    – Lincoln Center Out-Of-Doors (USA)

    “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.”

    – Rick Massimo, The Providence Journal

    “A sparkling concert… absolutely brilliant!”

    – Guitar Magazine (England)

    “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.”

    – Chris Kilvington, Classical Guitar (England)

    Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.

    – Carlos Agudelo, Billboard Magazine

    “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…”

    – Jim Macnie, The Providence Phoenix (USA)