Author Archives: Marilynn

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feliz ano novo no Rio!

Marilynn is in Rio, playing music and enjoying her semester break. This picture was taken January 9th @ the roda @ Praca Sao Salvador. If you want to keep in touch, visit  Celebrating a Year for daily photos and updates, and you’ll find more roda listings in the calendar (RH column).… Read More »

Posted January 9th, 2011

EventsIn Concert

Praca Sao Salvador

Outdoor roda in Sao Salvador square, near metro Lago do Machado. Weather dependent, may be moved to a nearby bar or canceled by rain.… Read More »

Posted January 8th, 2011

Ask Marilynn

Pick technique for Choro

Q: As a form of motivation for doing scales, I purchased your and Mr. Sa’s choro book.  When looking through it, I saw no indications for downstrokes and upstrokes over any of the notes.  I understand the general rule of placing downstrokes on more accented notes (on beats, etc.) but with the syncopation of choro I was wondering if this rule still applies.  Is there any general rule dictating where downstrokes and upstrokes should be in syncopated music like … Read More »

Posted January 8th, 2011

Ask Marilynn

Tremolo hand position

Q: I’ve been a student of your method since late this summer, and I’m enjoying the progress I’ve made under the guidance of your book.  Melodic possibilities are opening up to me now, and I’m starting to get a bit more gratification from my playing.  Thank you!

First, I have a question about tremolo.  Forgive me for being yet another novice confused about the specifics of tremolo, but I was wondering if it’s acceptable to (with the right hand) lightly … Read More »

Posted January 8th, 2011

EventsIn Concert

Roda no Gago

Roda @ Baixo Gago

19:30 – 21:30
Gago Coutinho, 51
Rio de Janeiro, RJ Brasil
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Posted January 5th, 2011

EventsIn Concert

Roda no Petit Paulette

Roda do Choro @ Petit Paulette

20:00 – 22:00
Rua Barão de Iguatemi, 408 – loja A
Bairro: Tijuca… Read More »

Posted January 5th, 2011

EventsIn Concert

Chorinho no Forte

Marilynn is playing in one of her favorite rodas, at the Forte Copacabana on January 2 and 9, 2011. If you are in Rio, come and listen!
Chorinho no Forte
Dia 02 e 09 (domingo) –
18 : 30h às 20:30h
Local: A lameda Octávio Corrêa
Distribuição de senhas às 18h
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Posted January 2nd, 2011

Ask Marilynn

Organizing Practice Sessions

Q: Marilynn,
I love your method book. I am currently finishing up a different book that is for beginners and plan to work with yours next. Just by reading through it, it has already helped me greatly with my tone. My biggest concern right now is: How do I organize my practice time. I am mostly self-taught. What is the best way to warm up? How much time should I spend on each of the four sections of your book? … Read More »

Posted December 12th, 2010

Of Note

A new online article on Marilynn

Blogger par excellence Jamie Dedes has written a very interesting article on Marilynn’s music and writing in her SATURDAY REVIEW column. Not too many people put these two sides of Marilynn together, but Jamie has done an excellent job, including links to music, articles, and a couple of videos. Whatever you know, you’ll find out something new about Marilynn here in Jamie’s article.

For other interviews and articles on Marilynn click this link.Read More »

Posted December 5th, 2010

Of Note

It’s out! the new Brazilian Choro book

Marilynn & Paulo’s new Choro book was published by Mel Bay in November. You can order it here: Brazilian Choro – A Method for Mandolin or read more about it here. The book takes key concepts from the unwritten performance practice of Choro and creates a series of original exercises to teach the style, not simply the tunes. Music is placed in the context of its history, with pictures of Choro groups and rodas, and the book is bilingual, … Read More »

Posted November 15th, 2010
    • “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…” – Jim Macnie, The Providence Phoenix (USA)

    • “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.” – – Butch Baldassari, Mandolin Magazine (USA)

    • “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.” – Rick Massimo, The Providence Journal

    • “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.” — Terence Pender, Mandolin Quarterly (USA)

    • “She’s a fabulous player with a wonderfully clear and lyrical sound.” – The Ottawa Citizen (Canada)

    • “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.” – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.” – Vaughn Watson, The Providence Journal (USA)

    • “Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.” – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair é uma bandolinista americana de formação erudita” — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    • “Mair is unstoppable… capable of evoking any landscape, past or present, you’d care to conjure.” – Mike Caito, Providence Phoenix (USA)

    • “Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.” – Carlos Agudelo, Billboard Magazine

    • “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…” – Lincoln Center Out-Of-Doors (USA)

    • “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.” – Brian Hodel, Guitar Review (USA)

    • “A brilliant concert from beginning to end…The performance was extraordinary.” – La Rioja (Spain)

    • “A sparkling concert… absolutely brilliant!” – Guitar Magazine (England)

    • “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.” – Chris Kilvington, Classical Guitar (England)

    • “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.” – Zupfmusik Magazin (Germany)