Pick technique for Choro

Q: As a form of motivation for doing scales, I purchased your and Mr. Sa’s choro book.  When looking through it, I saw no indications for downstrokes and upstrokes over any of the notes.  I understand the general rule of placing downstrokes on more accented notes (on beats, etc.) but with the syncopation of choro I was wondering if this rule still applies.  Is there any general rule dictating where downstrokes and upstrokes should be in syncopated music like choro?
-MB

A: Good idea– the rhythmic modal scale exercises in the Choro book are much more fun to play than regular scales. Your instincts on the picking are also right. Choro is a very accented music, so the emphasis on the main note– whether on the beat or a syncopation– is important. Generally Choro uses a straight down-up alternation. And it would not be a bad idea to play the exercises with both versions of this, to increase your picking dexterity.

Posted January 8th, 2011. Bookmark the permalink. Both comments and trackbacks are currently closed.
  • “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.”

    – Chris Kilvington, Classical Guitar (England)