AMGuSS Online Registration

A convenience fee will be added for online payments. These are displayed separately in your cart. If you pay by check, you do not need to pay those fees. Contact Marilynn for information on where to send your check. You can register and pay here with PayPal if you choose, using the Add to Cart buttons below. Your shopping cart will open in a new browser tab. All prices in 🇺🇸 USD.

Tuition

$500 Mandolinists and guitarists ages 18-30 can apply for a full-tuition scholarship; email Marilynn Mair for the application.
Name of Student
 

Rooming Options

Select one option, or you can stay off-campus. All rooms are in suites that include a living room, kitchen, bathroom, and one or two bedrooms. All rooms include sheets, pillows, blankets, and towels.

Double Room Shared in Two-Bedroom Suite

$325
Name of Requested Roommate (if any)
 

Single Room in Two-Bedroom Suite

$650
Name of Requested Suite-mate (if any)
 

Single Room in One-Bedroom Suite

SOLD OUT

Double Room in One-Bedroom Suite

$750 (limited availability)
Name of Requested Roommate (if any)
 

Dining

Full meal plan of 15 meals, from dinner Monday through lunch Friday, served cafeteria-style. $225
 

Campus Use Fee

New for 2024, Roger Williams University is assessing a fee for use of the campus. Required for all students and faculty. $65
 

Scholarship Fund

Optionally, add a donation to support scholarships for students in need.
Donation
 

Checkout

View your shopping cart to update quantities or remove items and complete your registration purchase.
And please download our registration form so that you can fill us in on your musical information. You can answer the questions by email to Marilynn Mair.

    • “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…” – Jim Macnie, The Providence Phoenix (USA)

    • “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.” – – Butch Baldassari, Mandolin Magazine (USA)

    • “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.” – Rick Massimo, The Providence Journal

    • “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.” — Terence Pender, Mandolin Quarterly (USA)

    • “She’s a fabulous player with a wonderfully clear and lyrical sound.” – The Ottawa Citizen (Canada)

    • “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.” – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.” – Vaughn Watson, The Providence Journal (USA)

    • “Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.” – David McCarty, Mandolin Magazine (USA)

    • “Marilynn Mair é uma bandolinista americana de formação erudita” — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    • “Mair is unstoppable… capable of evoking any landscape, past or present, you’d care to conjure.” – Mike Caito, Providence Phoenix (USA)

    • “Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.” – Carlos Agudelo, Billboard Magazine

    • “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…” – Lincoln Center Out-Of-Doors (USA)

    • “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.” – Brian Hodel, Guitar Review (USA)

    • “A brilliant concert from beginning to end…The performance was extraordinary.” – La Rioja (Spain)

    • “A sparkling concert… absolutely brilliant!” – Guitar Magazine (England)

    • “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.” – Chris Kilvington, Classical Guitar (England)

    • “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.” – Zupfmusik Magazin (Germany)