Marilynn on Mandolin #1 Nov/Dec 2003

LIVE ONLINE ONE WEEK ONLY! Nov.30-Dec.6

I’ll be appearing, virtually, on a computer near you, as the CoMando Listserve’s “Celebrity Guest of the Week” from November 30 to December 6. You can sign onto the list — it takes about a minute. Then, for one week only, you can ask me any question you like, of a mandolin nature, and I will answer it! Amazing! I did this for a week in July and it was such fun that they’ve asked me back. If you want to read the July questions-and-answers, they’re archived here. Sign up for CoMando and you can join us for this go-round!

A FREE CD FOR YOU Nov.12-Dec.24

I’ve got a solstice present for y’all — a free copy of my holiday CD, “The Sounding Joy,” when you buy any 3 of my CDs online. Is this a great idea for Christmas shopping or what? If you don’t want to put your credit card into PayPal, email me with your order and I’ll give you the same deal. You can do this as many times as you like! Surprise your discerning friends w/ a gift of mandolin music.

NEW ARTICLES ON THE WEBPAGE

I put my Brazilian choro articles online this fall, and I’ve just added new mandolin technique articles and another Brazilian article to the page. There’s sheet music too! Check it out!

DECEMBER GIGS

For local audiences: Enigmatica is playing December 7, and I’m playing w/ guitarist Sean Winker on December 28. Info is on the website calendar.

AMGuSS

Dates for 2004 are June 21-27. We’ll be sending out flyers soon, so if you’d like one and we don’t have your mailing address, email it to email hidden; JavaScript is required. The AMGuSS pages on the website will have all the new information for 2004 by mid-December.

NEW COLUMNS

My Mandolin Quarterly “Choro Connection” column for next issue is on Chiquina Gonzaga, 19th-century composer and innovator in the style. The music example is her composition, “Nao Se Impressione” (Don’t Be Impressed). I’ve also compiled a “Choro Top 40” list for 1902-1932. My column for Mandolin Magazine, “A Classical Approach,” is about expressive tremolo, and features the music for “Celeste Aida” by Guiseppe Verdi, in lead-sheet format. You can subscribe to either magazine on the Mandolin Cafe website.

FEEDBACK?

I’d love to hear from you. If you know anyone who would like to get this update, have them send me their email. And thanks for reading!

I’ll email the next issue of “MARILYNN ON MANDOLIN” by year’s end. In the meantime, I hope all of your holidays are bright, and, of course, full of music.

-mm

Posted December 27th, 2003. Bookmark the permalink. Both comments and trackbacks are currently closed.
  • “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…”

    – Jim Macnie, The Providence Phoenix (USA)

    “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.”

    – – Butch Baldassari, Mandolin Magazine (USA)

    “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.”

    – Rick Massimo, The Providence Journal

    “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.”

    — Terence Pender, Mandolin Quarterly (USA)

    “She’s a fabulous player with a wonderfully clear and lyrical sound.”

    – The Ottawa Citizen (Canada)

    “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.”

    – David McCarty, Mandolin Magazine (USA)

    “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.”
    – Vaughn Watson, The Providence Journal (USA)

    Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.

    – David McCarty, Mandolin Magazine (USA)

    “Marilynn Mair é uma bandolinista americana de formação erudita”

    — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    “Mair is unstoppable… capable of evoking any landscape, past or present, you’d care to conjure.”

    – Mike Caito, Providence Phoenix (USA)

    Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.

    – Carlos Agudelo, Billboard Magazine

    “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…”

    – Lincoln Center Out-Of-Doors (USA)

    “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.”

    – Brian Hodel, Guitar Review (USA)

    “A brilliant concert from beginning to end…The performance was extraordinary.”
    – La Rioja (Spain)

    “A sparkling concert… absolutely brilliant!”

    – Guitar Magazine (England)

    “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.”

    – Chris Kilvington, Classical Guitar (England)

    “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.”

    – Zupfmusik Magazin (Germany)