A Night in Brazil

Luiz+MMair

Saturday February 8, 2014 8pm

Luiz Simas with special guest Marilynn Mair
at Amazing Things

160 Hollis St. (Rt 126) Framingham, MA 01702

Rio-born Brazilian composer/singer/pianist Luiz Simas is a genuine Carioca! A New Yorker since ‘89, he has performed in the US, Brazil and in Europe. Luiz’ voice and music have warmed major venues including Birdland, Carnegie Hall and Bargemusic. He’ll be joined at Amazing Things by his special guest Marilynn Mair, who has performed at Carnegie Hall, at the White House, at Lincoln Center, and in Europe, Japan, and Brazil. She has earned the title, “First Lady of the Mandolin”. Marilynn is a Professor of Music at Roger Williams University in Bristol, Rhode Island.

The program will start with Luiz on piano and vocals playing his infectious original tunes as well as beloved Brazilian bossa standards, and then continue with Marilynn and Luiz playing together beautiful Brazilian choros.

Luiz Simas (piano/vocals) and special guest Marilynn Mair (mandolin)
Amazing Things Arts Center
Saturday February 9 2014 at 8:00pm
Admission: $18 ($17 Stu/Sen, $15 Member, $9 Child U12)
Address: Amazing Firehouse, 160 Hollis St, Framingham, MA 01702
Ordering tickets
On the phone: 508-405-2787
Posted January 3rd, 2014. Bookmark the permalink. Both comments and trackbacks are currently closed.
  • “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.”

    – Rick Massimo, The Providence Journal

    Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.

    – David McCarty, Mandolin Magazine (USA)

    Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.

    – Carlos Agudelo, Billboard Magazine

    “A brilliant concert from beginning to end…The performance was extraordinary.”
    – La Rioja (Spain)

    “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.”
    – Vaughn Watson, The Providence Journal (USA)

    “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.”

    – Zupfmusik Magazin (Germany)

    “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.”

    — Terence Pender, Mandolin Quarterly (USA)

    “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.”

    – Chris Kilvington, Classical Guitar (England)

    “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…”

    – Jim Macnie, The Providence Phoenix (USA)

    “She’s a fabulous player with a wonderfully clear and lyrical sound.”

    – The Ottawa Citizen (Canada)

    “Mair is unstoppable… capable of evoking any landscape, past or present, you’d care to conjure.”

    – Mike Caito, Providence Phoenix (USA)

    “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.”

    – – Butch Baldassari, Mandolin Magazine (USA)

    “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.”

    – Brian Hodel, Guitar Review (USA)

    “Marilynn Mair é uma bandolinista americana de formação erudita”

    — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.”

    – David McCarty, Mandolin Magazine (USA)

    “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…”

    – Lincoln Center Out-Of-Doors (USA)

    “A sparkling concert… absolutely brilliant!”

    – Guitar Magazine (England)