What speed should I tremolo?

Q: I am a student of your mandolin method (after 13 months of studying in earnest, I am on page 78) and I have been working since the first Branzoli tremolo exercise on my tremolo. Could you please tell me how fast one should reasonably be able to tremolo?  Say in terms of four strokes for each beat of the metronome (so 120 b/m would be 480 tremolo strokes), how many beats per minute would be reasonable? It is important to me to have a good technical ability, which once achieved, I can concentrate on  expressiveness rather than  speed. My thanks for your method book. -REH

A: You are so welcome! The most important thing in developing your tremolo is to increase the density, so work on getting to 8 then 16 strokes per beat, no matter how slowly that means you are playing. When you can play quarter notes @ mm 60 with 8 strokes/beat, you can probably put your tremolo on auto-pilot and count on your motor memory to keep you going to increase speed.

And about the method book, remember you should be working on all 4 sections– Right Hand, Left Hand, Coordination, and Musicianship– simultaneously. So you should be on p. 78 in the Left Hand section, but also on 3 other pages, one in the other 3 sections.

Posted July 27th, 2010. Bookmark the permalink. Trackbacks are closed, but you can post a comment.

Post a Comment

Your email is never published nor shared. Required fields are marked *

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

*
*

  • “A sparkling concert… absolutely brilliant!”

    – Guitar Magazine (England)

    “A lovely concert! We estimate your spell-bound and enthusiastic audience at close to 1800 people…”

    – Lincoln Center Out-Of-Doors (USA)

    “Marilynn Mair has always had the keen ability to balance classical mandolin traditions and repertoire, while constantly breaking new musical ground…a superb and versatile mandolinist and composer.”

    – – Butch Baldassari, Mandolin Magazine (USA)

    “Marilynn Mair lives up to her reputation as an excellent mandolinist, with clear tone, a beautiful tremolo, and creative expressiveness.”

    – Zupfmusik Magazin (Germany)

    Bring a talented ensemble of gifted musicians together playing some of the great concertos and chamber music pieces of the 1700s, present the extraordinary classical mandolinist Marilynn Mair front and center, and you have a rare combination of the right musicians performing the right music at the right time.

    – David McCarty, Mandolin Magazine (USA)

    “Marilynn Mair performs Brazilian mandolin music… she plays the mandolin as an instrument for all occasions.”
    – Vaughn Watson, The Providence Journal (USA)

    “The final repeat of the melody transmitted a strong feeling of peace and tenderness that escaped no one in the audience. It is this sensitivity and subtleness that characterized the overall performance.”

    – Brian Hodel, Guitar Review (USA)

    “A brilliant concert from beginning to end…The performance was extraordinary.”
    – La Rioja (Spain)

    Marilynn Mair on mandolin…touches the deepest and most engaging reaches of the ancient and passionate ‘Latin soul’.

    – Carlos Agudelo, Billboard Magazine

    “Mair displays an exceptionally gifted approach to this music, using her formidable mandolin technique with grace and sensitivity… It’s the next best thing to a trip to Rio.”

    – David McCarty, Mandolin Magazine (USA)

    “Marilynn Mair acquits herself very well indeed, a most accomplished player, able to deal with the many intricacies the repertoire demands of her.”

    – Chris Kilvington, Classical Guitar (England)

    “Smudging the lines between folk and classical is an intrepid endeavor… Mair’s a superb mandolin player who has brought the instrument to unexpected places…”

    – Jim Macnie, The Providence Phoenix (USA)

    “She’s a fabulous player with a wonderfully clear and lyrical sound.”

    – The Ottawa Citizen (Canada)

    “Mair is unstoppable… capable of evoking any landscape, past or present, you’d care to conjure.”

    – Mike Caito, Providence Phoenix (USA)

    “Mair travels by mandolin to Brazil and brilliance… her commitment to the music shines through.”

    – Rick Massimo, The Providence Journal

    “Marilynn Mair é uma bandolinista americana de formação erudita”

    — Paulo Eduardo Neves, Agenda do Samba Choro (Brasil)

    “Stepping back to the 18th-century masterworks gave her the opportunity to highlight her technique with a fresh light… her playing is thoughtful, vibrant and a delight to listen to.”

    — Terence Pender, Mandolin Quarterly (USA)